Biografía

Davidson Ospina is not new to the club scene, nor is he an old timer hanging on to his rep. There are many sides to the man from Queens, NY. He is a musician in every sense of the word, having played keyboards since he was a teen as well as being a prolific DJ, Producer, Remixer and Web Designer. He embraces technology with the same enthusiasm that he produces a wicked bridge or chord change in a song. In his early teens, he had a passion for playing keyboards, DJing and writing songs. When asked about his influences, Ospina says, “It was my neighbourhood that exposed me to such a wide variety of music. I was really inspired by the New York break-dancing scene. The music at that time was so exciting and made you want to move. I felt the need to contribute to that.” With an impressive list of productions and remixes for English and Spanish artists, 2006 brought Ospina his first #1 hit: the chart-topping remix of Christina Aguilera’s “Ain't No Other Man", which hit #1 on the Billboard Club Charts and Radio Charts in September 2006 only 1 week after release. Christina was quoted as saying that it is her favorite remix version. His resume as a producer, remixer, and keyboard session player includes David Morales, Jocelyn Brown, Slyk 130, Chanelle, Black Fras, Gusto, Rochelle Fleming, Arnold Jarvis, Randy Crawford, Full Intention, Dimitri From Paris, Grandmaster Flash, Beyonce, Jake Childs, Cabin Fever, Britney Spears, Backstreet Boys and Pet Shop Boys. His Spanish-language remixes are also notable, working with such artists as Enrique Iglesias, Albita, Gloria Estefan, and Mark Anthony, as well as projects like Cabas "Tu Boca" and Magic Juan “Ultima Vez”. His current 2011 hits include remixes for Susu Bobien "I Got My Pride" and his original production, Davidson Ospina Ft. MJ White "Well Of Love". When asked about it, Davidson feels blessed and gives a lot to being a musician and DJ. “Keyboards opened the door, to working with other producers, and artists. Understanding musical changes keep my productions moving with an artist vocal. At the same time I work at building energy that will keep the dance floor happy. The DJing keeps me fresh, and helps me see what directions the crowds are moving and what is exciting to them directly,” says Ospina.

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