rauh im Indiego

For this edition, we’ve invited an exceptional amount of know-how. All our guests take their passion for electronic music very seriously – whether as DJs, producers, label heads or promoters. What they all have in common is that they have been successfully pursuing their passion for several decades. XDB has been collecting and playing records since the early nineties, has since played in more than 35 countries and runs his own label, Metrolux. His mixing style is unmistakably laid-back – but above all, it’s his selection that constantly stands out. For him, the music is always at the centre: he gives tracks room to breathe and repeatedly creates those moments when you find yourself thinking, “What the hell is this track?” Don Williams, active as a DJ, producer and label head, stands for high-quality output on every level. Whether behind the decks at Berghain or Blitz, in the studio as a producer, or as the curator of his highly acclaimed label Mojuba and its various sub-labels, including a.r.t.less and others. His work is consistently outstanding, and his records are highly sought after. And as if that wasn’t enough, the two will join forces for an extended B2B set. Another highlight is Tasha’s Hannover debut. Hailing from London, she has built something truly rare: a career running along two parallel tracks – Drum & Bass and Techno. She has crossed boundaries that few have dared to cross, bringing together Techno, House and Bass fans on dancefloors around the globe – from her residency at Open Ground to Berghain, Fabric and Tresor, all the way to Rupture. Her reputation precedes her: a genuine seal of quality for any line-up lucky enough to have her on board. The same uncompromising instinct lies behind Neighbourhood, the party series she founded in 2010, now entering its 16th year – as well as the eponymous label, which celebrates its 10th anniversary of releasing music in 2026. Rounding off this grand line-up is our resident Morta. His sets are a carefully curated journey through time, spanning from the late nineties to the present day. He likes to play fast and restless, but never noisy. We particularly remember many of his seemingly endless closing sets, as well as his great podcasts for rauh.