Finding himself unable to perform in Israel, Gat, who refused to take part in the country’s mandatory military service as a conscientious objector, left to New York. He does not readily conform to descriptions as Israeli or American, developing a sound rooted in both these influences while collaborating and adding perspectives from musicians of different spectrums of 21st-century folk music as a part of the Stone Tapes imprint he helped launch in 2022. Stone Tapes also acts as an artist studio and musicians' collective, focused on post-genre collaborations across traditions. Rolling Stone editor David Fricke celebrated the multiculturalism of Gat's sound, calling him "a citizen of the world", adding that "Gat wields his guitar like a universal translator". His work was profiled by The New York Times, Pitchfork, The Guardian, The Wire, UNCUT, NPR, Vice, The New Yorker, and People. In 2013, the Village Voice named him "Best Guitarist in New York." Even with Gat’s penchant for unpredictability, his latests LP, American Quartet is truly a left-field turn. A punk slash-and-burn reimagining of one of the defining works of the Western classical canon – Antonin Dvořák’s legendary string quartet – written while Dvořák was, like Gat, an expatriate living in New York City. While Gat does not read sheet music – tackling the ambitious undertaking of learning a full string quartet by ear and performing it on electric guitar required a different kind of commitment – one that freed his playing from any rigid interpretation of the score, allowing for the wild, unpredictable and truly unique performance captured on this recording. The drums by Deerhoof’s Greg Saunier follow the rhythms of the cello, providing a breathtakingly expressive rhythmic interpretation to the piece, while Mikey Coltun and Curt Sydnor each bring their unique sensibilities transcribing the viola, cello and second violin parts to organ and bass; Sydnor with the nuanced playing of a classical musician, and Coltun with versatility and hard edge from years as the producer and bass player of Mdou Moctar’s band. Gat’s previous solo output includes 2015’s genre-bending full-length Director, composed of live improvisations by his trio and field recordings taken by Gat, the record was a mind-melting exploration through many styles of music which garnered rave reviews from the NY Times and Pitchfork. 2018’s full length LP Universalists saw Gat experimenting with splicing live-to-tape recordings of his live band in ways that drew from everything from contemporary avant-garde and electronic music to electric era Miles Davis to Brazilian experimentalists Os Mutantes (with which Yonatan released a split 7" that year.) Gat produced that album alongside David Berman of the Silver Jews.