Viner's music is deeply rooted in old-school electronic sound with its distorted bass and granular synths that sit against thought-provoking soundscapes of weaving instrumental motives and deconstructed polyrhythmic percussion of Central Asia mixed with deep vocals, giving another take on breakcore and footwork. As an Asian born in Russia, Viner learned first-hand that personal = political. Now an artist in exile, he, being actively against the criminal actions of the Russian government in Ukraine, had to leave his home country. His art is a product of emotional, cultural, and historical research on internalized oppression and colonial trauma. Constantly re-defining things like freedom and identity, винер digs his inspiration in musical heritage and the colonial history of Asian Russian peoples, Central Asia, and the Caucasus. Viner has taken a mathematical and technical approach to creating his sound: a romantic hybrid of Central Asian samplodelica and 808s mixed with idm and gabber-darkside sounds. Viner's music is a rapid switch between fast and slow, good and evil, saturation and emptiness; an aggressive exorcism of the inner dictator who stops his march to exhale in a deep trance pit. Since air is in short supply in Russia for its artists and citizens, Viner creates his own space where there is plenty of it.