Daniel Rincon has lived in a hundred different worlds, and he has built a utopia in each of them. The Colombia-born artist—better known as NAP—would hear the sounds of cumbia and merengue floating through his house, but he was interested in rougher stuff: punk, hardcore, no wave. In his childhood, Rincon’s music teacher told his mother that he had an ear better fitted for field artillery than music; when he was a teenager, Rincon’s family moved to Vancouver, and there, he found a way to weaponize that ear. He started going to no wave shows, and he’d DJ parties with busted equipment. It was punk in sound, but more importantly, in practice.