The main concern in his work is an apposition of disparate elements that assume a re-appropriation of historically applied methodologies while questioning forms of empowering them. The biggest body of his work reflects issues as copyright, spirituality and originality, undergoing a constant state of transfiguration of its outsourcing. His project, Jay Glass Dubs, is an exercise of style focusing on a counter-factual historical approach of dub music, stripped down to its basic drum/bass/vox/effects form. As Jay Glass Dubs, he has released a solid body of of work on the likes of Bokeh Versions, The Tapeworm, anòmia, DFA Records, Ecstatic, and Berceuse Heroique having also collaborated on critically acclaimed releases with Not Waving (as Not Glass), Guerilla Toss and Leslie Winer. He has produced remixes for artists such as How To Dress Well, Jabu, Maximum Joy and Carmen Villian for labels such as Domino, Young Echo, ESP Institute and Smalltown Supersound to name a few. His work has been presented in various international institutions and festivals from Berlin Atonal, Meakusma Festival, documenta14, BBK Bilbao and many more. He has performed in venues and spaces such as Macao in Milan, Portikus in Frankfurt, Worm in Rotterdam, Arkaoda, Kraftwerk, HKW, Paloma and Echo Buecher in Berlin, Cafe OTO, Corsica Studios and Rye Wax in London,Soup Kitchen in Manchester Salon Des Amateurs in Dusseldorf , La Java in Paris among others while he has recorded broadcasts for stations such as NTS Radio, WFMU, dublab and Resonance FM. From 2017 to 2019 he was a resident selector for Noods Radio in Bristol. Presently, he holds two monthly shows in LYL Radio Marseille and Movement Radio Athens as well as a bimonthly show for Tbilisi's Mutant Radio. He is a member of 2020 Shape Platform artist roster and a face of 2021's We Are Europe platform. In 2020 he initiated a new project named Wild Terrier Orchestra, an open improvisation ensemble of interchangeable members alongside musician and artist Foteini Korre.