She released music on labels and platforms such as Crystal Orca (Greece), Vibe.Digital (USA), The Game We Play (UK), Rush Hour (France) and Tremors (Germany), and directed several 3D videos clips, notably for the artist Louise Roam, and designs, among other things, sci-fi inspired 3D digital fashion dedicated to the Metavers. She has also worked as scenographer and stage designer, as for the Thunderbreak parties of the highly influent LGBTQI+ crew Parkingstone. As symbiotic as her plastic and digital creations, her musical universe is deeply rooted into Wave music: a musical movement that digests and reinterprets Trap, Trance, or EDM sounds, not hesitating to associate Reese Bass and eroded vocals, between dreamy harshness and synthetic nostalgia. Even if not very highly covered by medias, the microgenre publicly introduced to the world in 2015 by grime legend Plastician (through his “Wave Pool MMXV” podcast), reaches a popularity, especially on soundcloud and youtube, sometimes not so far behind some more mainstream music. Imer6ia is the best-kept secret of that scene, alongside the references Barnacle Boi, Skeler, Brothel, Juche or the late Øfdream, with some of whom she has already collaborated. Fueled by a lifelong of the surreal, her music and iconography exists in futuristic, otherwordly and abstract elegant space.