
EXZAKT

EXZAKT
Biografía
Hailing from the pulsating beats of Sunny South Florida, Exzakt has carved out a very prolific career as a DJ & producer for over 25 years strong. 1999, saw his release of ‘Musik Is The Drug’, which sent him immediately into international status, where he remains active today. As a pioneer of electro, he is considered to be one of the most important figures in the Electro Music Movement.
Since his humble beginnings, Exzakt has remained innovating; creative musical masterpieces that touch the hearts of audiences around the world. Although he considers Miami home, Exzakt has consistently toured internationally, performing at some of the world's most respected, legendary venues including Tresor in Berlin, Razzmatazz in Barcelona, Fuse Club in Brussels & Club 3000 in Dusseldorf.
Spanning almost 3 decades, his discography is extensive, some of his other most recognizable titles are, ‘Subsonic Bass’, ‘Clarity’, and, ‘Me & My 808’. His label, Monotone, serves as a platform which showcases his innovative production, alongside releases on esteemed imprints Omnidisc, Fabric Records, Skint & Tresor Records.
Constantly creating, Exzakt continues to release relevant, innovative tracks and albums. His most recent works, taking the world by storm, such as his forthcoming full length album “Lovehertz,”(his new 12”) “Return Of Electrobass”, and his V.I.P. Remix of Rüfüs Du Sol 'Innerbloom’.
Exzakt has had the honor of releasing his music with many of the world’s most esteemed personalities in electronic music such as Maceo Plex, Helena Hauff, Dave Clarke, and Craig Richards, to name a few.
Exzakt's energy, coupled with his mastery of rhythm, futuristic sounds, and seamless blending are truly a sight to behold. Exzakt live dj sets are full of twists, turns, and surprises. No two sets are alike, as they are curated for his fans in real time. In prestigious nightclubs, or dark underground warehouses, partygoers around the world will continue to enjoy dancing with Exzakt as he refines and redefines his craft.



